2016 Theatrical Report

elizabeths-ghost

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THIS YEAR we celebrated 400 years of Shakespeare, and so I directed two Shakespeare plays and one play about Shakespeare. The year was peculiar in that it included three plays I wrote and one I created (This Bird). The remaining play was a Euripides.

At Waterford, we did the first three plays of the year on a beautiful stage built by Dan Whiting. Dan also painted the stage for Twelfth Night and Robin Hood. The mural was painted by Jason Sulivan. The stage was repainted by Madeline Ashton for Iphigenia in Aulis.

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TWELFTH NIGHT
by Shakespeare (Waterford, February)

I love this play. This production was hilarious, and the music was beautiful. Twelfth Night and Hamlet mark Shakespeare’s shift from the heart clown to the brain clown. (He brings the heart clown back near the end of his career.) Feste and Sir Andrew are clowns, but they are not Kempe’s type. Sir Toby Belch seems like a character in the shape of Kempe, but lacking his heart––having a form of godliness, but denying the power thereof. Falstaff has an intelligence not seen in the earlier Kempe clowns, and yet Shakespeare manages to keep Kempe’s heart the driving force of the character. But there’s no denying that Falstaff was a kind of evolving clown. I wonder if this evolution was what made Kempe leave the company. Sir Toby is a great character, but I think, given the chance, Kempe would have refused to play him. (Photos by Dusty Heuston.)

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ROBIN HOOD
by Javen Tanner. Directed by Tara Tanner (Waterford, May)

Tara wanted to stage the Robin Hood story, but she couldn’t find a script she liked. She asked if I would write one, and it turned out to be a great project. These annual Lower School plays at Waterford have been wonderful experiences for us over the past ten years. (Photos by Heather Mortenson.)

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IPHIGENIA IN AULIS
by Euripides (Waterford, May)

Along with Alcestis and The Cyclops, Iphigenia in Aulis is one of my favorite ancient Greek plays. You can read some of my thoughts about this play here. (Photos by Dusty Heuston.)

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SLEEPING BEAUTY’S DREAM
by Javen Tanner (Sting & Honey, July)

I feel like I’ve written a lot about this one. You can read my original post about writing the play here. It was first performed as a Waterford play, and then we produced a staged reading of it. It was always intended to be a play performed by adults for children and adults. It was lovely to see that happen this year. The cast was spectacular. Hopefully Sting & Honey will be able to produce more theater for young audiences. (Photos by Samantha Kofford Photography.)

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THE KING’S MEN
by Javen Tanner (Sting & Honey, September – October)

About a year ago, I had the idea for this play: Shakespeare’s company––men who play women––played by women, Shakespeare’s relationship with Anne and Susanna, and an appearance of the ghost of Queen Elizabeth. It turned into something I’m so proud of. I loved working with the women of the cast. It is the first of three plays about Shakespeare. (Photos by Jason Hermansen.)

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THE MERCHANT OF VENICE
by Shakespeare (Waterford, November)

Another great Shakespeare play. As I’ve watched productions of Merchant over the years, I’ve noticed directors have a hard time accepting the play as a comedy. Not only is it a comedy in the truest sense, it is at times incredibly silly. Most of the characters match up with Commedia stock characters. But the play is also heartwrenching and brutal. Shakespeare realized that laughter opens an audience to feeling tragedy in a deeper way. And Merchant is also a tragedy in the truest sense, meaning there is a sacrifice required. We see the same thing happen with Chekhov and Beckett: so many boring, “deep” productions of plays that are meant to make you laugh heartily so that you can feel deeply. With these plays, you cannot feel the extent of the tragedy without the commitment to the comedy. This Merchant of Venice was silly and heartbreaking, and I was very proud of it. (Photos by Dusty Heuston.)

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THIS BIRD OF DAWNING
by Javen Tanner (Sting & Honey, December)

This was our ninth year with this piece. I still love it so much. This photo is from last year. New photos coming soon. (Samantha Kofford Photography)

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HAPPY NEW YEAR, folks. The Cherry Orchard starts rehearsals next week.

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